writing

"Musical Experience," in
The Oxford Companion to Consciousness,
Eds., Tim Bayne, Axel Cleeremans, and Patrick Wilken (Oxford University Press), forthcoming

“A Phenomenological Criticism of D. Raffman's Account of Musical Nuance,” presented at:
(1) American Society for Aesthetics, Eastern Division Meeting. Philadelphia, PA. April 4-5, 2008
(2) Genres, Categories, and Concepts in Aesthetics and the Philosophy of Art, a Workshop-Style Symposium being held at Indiana University, Bloomington, IN. May 16-18, 2008

"The Phenomenology of Expressive Variations in Musical Performance"
Presented at the 21st Anniversary Conference of the PASSHE Interdisciplinary Association for Philosophy and Religious Studies. Indiana University of Pennsylvania. April 11-12, 2008

Review of Chris Janaway's Reading Aesthetics and The Philosophy of Art, in The British Journal of Aesthetics (Vol. 47, No. 3, July 2007)

“Pignocchi on Motor Perception in Aesthetic Experience” (commentary)
American Philosophical Association, Pacific Division conference. April 2007, San Francisco, CA

“Seeley on Neuroaesthetics” (commentary) American Society for Aesthetics Eastern Division  conference, April 2007, Philadelphia, PA

Dissertation:  Groove: The Phenomenology of Musical Nuance

"The Qualia of Active Musical Experience"
Presented at the American Society for Aesthetics, Eastern Division meeting, Philadelphia, PA, April 2005

"Groove; Nonconceptual Content & Qualia"
Presented at the American Philosophical Association, Pacific Division meeting, Pasadena, CA, March 2004; Commentator, York Gunther.